Weibel, Peter
Peter Weibel (German: [ˈvaɪbəl]; born 5 March 1944 in Odessa, USSR[1]) is an internationally known Austrian post-conceptual artist, curator and new media theoretician. He started out in 1964 as a visual poet but soon jumped from the page to the screen within the sense of post-structuralist methodology. Thanks to this linguistic input into his visual media works, Weibel developed a critical impulse that turned against society and the media, while investigating virtual reality and other digital art forms.[2] Since 1999 he has been director of the ZKM Center for Art and Media Karlsruhe.
Raised in Upper Austria he started to study French and cinematography in Paris. In 1964 he began to study medicine in Vienna, but changed soon to mathematics, with an emphasis on logic.
Peter Weibel’s oeuvre belong in the following categories: conceptual art, performance, experimental film, video art and computer art.
Starting in 1965 from semiotic and linguistic reflections (Austin, Jakobson, Peirce, Wittgenstein), Peter Weibel developed an artistic language, which led him from experimental literature to performance. In his performative actions, he has explored not only the "media" language and body, but also film, video,[3] television,[4] audiotape and interactive electronic environments.[5] Critically he analyzed their function for the construction of reality. Besides taking part in happenings with members of the Vienna Actionism, he developed from 1967 (together with Valie Export, Ernst Schmidt Jr. and Hans Scheugl) an "expanded cinema" inspired by the American one and reflects the ideological and technological conditions of cinematic representation. Weibel elaborated on these reflections, from 1969, in his video tapes and installations. With his television action "tv und vt works", which was broadcast by the Austrian Television (ORF) in 1972, he transcended the borders of the gallery space and queried video technology in its application as a mass medium. In 1966 he was with Gustav Metzger, Otto Muehl, Wolf Vostell, Hermann Nitsch and others a participant of the Destruction in Art Symposium (DIAS) in London.[6]
Peter Weibel followed his artistic aims using a large variety of materials, forms and techniques: text, sculpture, installation, film and video. In 1978 he turned to music. Together with Loys Egg, he founded the band "Hotel Morphila Orchester[7]" (orchestra). In the mid-1980s, he explored the possibilities of computer-aided video processing. Beginning of the 1990s he realized interactive computer-based installations. Here again he addressed the relation between media and the construction of reality.
In his lectures and articles, Weibel commented on contemporary art, media history, media theory, film, video art and philosophy. As theoretician and curator, he pleaded for a form of art and art history that includes history of technology and history of science. In his function as a university professor and director of institutions like the Ars Electronica (in Linz, Austria), the Institute for New Media in Frankfurt and the ZKM | Center for Art and Media Karlsruhe, he influenced the European Scene of the so-called computer art through conferences, exhibitions and publications.[8]
In early May 2022, during the 2022 Russian invasion of Ukraine, Weibel advocated for parts of Ukraine and Transnistria to be internationally recognized to allow Ukraine to reach some sort of agreement with the Russian Federation.[9]